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Archive for the ‘Photography’ Category

May
20

PhotoNetCast #3

A MarquesGeneral in Photography

If you're new here, you may want to subscribe to my RSS feed. Thanks for visiting!

For all of my readers who still have not subscribed to the PhotoNetCast feeds, just to let you know that episode #3 was published about one week ago (ok, I forgot to mention this here, can you believe it?).

We started discussing the benefits of blogging about photography, continued to photo organization, and ended with a few sites that caught our attention.

On the second topic, due to time restrictions, we had to break it just before we got into "photo backups". We will dedicate a good part of the next episode covering this. In any case, we would like to hear from you: what backup system do you use, good and bad things about it, any questions you might have regarding backups (or any other subject).

Head on to PhotoNetCast.com, if you still haven’t listen to the show, and tell us something. We will be recording the next one in just a few days time so, if you want to have your comment or voice message on this topic featured, you’ll have to hurry.

May
20

5 Tips for Acquiring Old Cameras

A MarquesEquipment

Recently I had the opportunity of acquiring an old camera. By old I don’t mean "it still uses film" old, I mean "really" old on the antique level.

I’m not an expert in the industry of antiques acquisition but since I had this opportunity I started doing a little research. In any case, my approach in this article is not for those who want to buy an old camera to sell it later for profit (although many things I’ll mention would still apply).

The market is huge and has many different variables that can affect the outcome of a good deal. Nonetheless, there are a few basic things you need to consider before pulling out your credit card to pay for a beauty like this.

 

1 - Why do you want to buy an old camera?

Resist the buying impulse. I know old cameras are beautiful and very tempting, but defining why you want one is probably one of the most important things you need to think about. Do you want it just for the looks of it, to exhibit it on a shelf on your living room not to be used, or do you intend to load it and actually take it to the field and use it?

Your answer will determine the working condition you need the camera to be in and thus the amount you may expect to pay for one.

 

2 - Where to buy an old camera?

This one is endless. Everywhere, from yard sales to ebay. Just look around a bit and I’m sure you can find many for sale. The question is, what do you want to buy.

If you have a specific camera in mind you can try on a specialized dealer. You’ll get to talk with someone who is probably doing this for years and knows what he’s talking about. Usually these people can describe exactly the condition the camera is in and, if they have it on the store, you can handle it and examine for yourself all the little details. The downside is that you’ll probably end up paying a little more.

Online auctions can provide good deals but are a bit more risky since you won’t have the chance to have the equipment in your hands before you buy.

 

3 - Do your Research

That’s what Google is there for.

And I’m not talking just about the prices (more on that bellow).

Nowadays, you know what to expect from a camera and everything is described in much detail on the manufacturer’s catalogs. On the "old" days, not everything was so clear and some batches of cameras could come into the market with mechanistic issues that never got solved. Specially if you are planning to use the camera, you need to know if there were problems that you don’t want to deal with now (as an example, the Kodak Signet 35 had a very problematic shutter). Also, while today any change in the model is reflected in the model name, it wasn’t always so. The same model name did not always describe the same equipment (as weird as it may sound). My best advice is to always know the serial number of the camera you want to acquire and do your research on it. If you look around, there are sites maintained mainly by collectors (and usually dedicated to a specific brand) that list serial number ranges and any particular modification done to a specific batch.

 

4 - If you want to use it, make sure it’s usable

The camera condition is of uttermost importance, specially if you intend to use it. While you probably won’t mind the normal signs of age and use, a crack in the bellows or fungi in the lenses will render the camera unusable until it is repaired (if indeed it can be repaired). This is specially dangerous if you’re buying it online. If a camera is listed as sold "as is" you probably won’t have the chance to return it even if you find out that the seller forgot to mention the rusty lens mount. Try to ask as many questions as you can and know all the details on the condition of the camera. If possible, and many times it is not, if the seller is the person who used the camera before, try to find out how many photos were taken (the life of a shutter screen is not unlimited). Any sign that the camera was ever dropped is also a big no-no.

 

5 - The value… oh yes, the value - Know it before you buy

The first thing that many sellers think (usually people dealing with antiques, but not specifically cameras) is that the oldest a camera is, the more valuable it is. Don’t fall for this one. It’s not so. There are cameras that are valued at a few thousand dollars, and other cameras from the same period that are worth next to nothing. This has to do with how rare a camera is (how many were manufactured vs how many lasted until now), how good it is, and also how famous it became on the hands of a particular photographer.

The price that a seller asks can be an educated value or just simply someone throwing a price out and waiting for it to stick. You can have a taste of this on ebay. Search for a particular camera model and you’ll probably see a very wide range of prices asked. This, of course, depends on the condition of the camera, but can also reflect sellers not knowing the value of their items.

Again, Google is your friend and, for many cameras, you can find good estimates of the values. If you want a more educated guess, there are a few price lists in print that can help you.

 

With this article I do not intend to give you all the information you need, but buying an old camera can be a risky business, specially if you want to use the camera, and these are just a few tips to get you started.

While doing some research for this subject, I found some books that were recommended on some forums. I don’t have them, so I can’t really say if they are good or not. Just in case you are curious, here are their links on Amazon:

 

Have you ever thought about acquiring an old camera? If so, why? Any bad or good stories to share?

Apr
28

PhotoNetCast is here

A MarquesGeneral in Photography, Photography

If you are interested in photography (and I’m assuming so if you are reading this), and specially if you are more of the tech savvy kind of person, you are probably aware of a high number of photography podcasts.

I know I am, and there is a list of them I’m following. Some better produced than others, but usually the content is delivered in an entertaining way that keeps me coming back for more. I’ve learned a lot from these “internet radio shows”.

But one thing that started bothering me is that usually they are produced by one photographer, a kind of “one-man-show”, and thus gives only one side of the story. It’s only the author’s opinion there.

For some topics that is more than enough but for others I would like to have other photographer’s points of view.

 

What is PhotoNetCast?

With this idea in mind, I “grabbed” the attention of three other photographers (I’m sure you know them) and we decided to start producing a podcast that is focused not only in delivering what we hope is quality content, but do it in a round table format, where each of us can share our opinions in a way that is open and invites discussion. No scripts, no bias. Just a good conversation on photography. And no, we don’t always agree with each other on certain topics.

And PhotoNetCast was created.

 

Who you’ll find in PhotoNetCast?

For the majority of you, the names are already associated with high quality content and experience and it’s something that we want to translate into the audio version.

Martin Gommel (Kwerfeldein.de), Jim Goldstein (JMG-Galleries), Brian Auer (Epic Edits Weblog) and me. A freelance, a semi-professional and two hobbyist photographers, coming from two different continents. Is there a better mixture?

 

Where can you find PhotoNetCast?

Easy. The best way is just to head over to PhotoNetCast.com and see what is around. At the time of writing, we have released two episodes of the show and you can listen to them on-site, download the mp3 versions, subscribe to the feed through iTunes or grab the normal RSS feed and listen on your feed reader.

We are planning to release new episodes every two weeks, and a good number of topics that are sure to interest you are already in the queue.

 

And what more?

It’s a podcast, it’s about photography and it’s our best effort.

Well, if you want ways to interact with us and give your contribute to the show, we’ve also thought about it. Comment on the blog, send us emails and send us voice comments. The idea was to create a podcast that is open to opinions and discussion, including yours. Any feedback is always welcome, specially in the beginning of a project like this.

 

So, grab a cup of coffee, head over to PhotoNetCast.com and enjoy the show… We hope to see you over there.